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Welcome to Issue 67 of our journal 7 Jul 2013 | 12:07 pm
“It was a harsh and courteous battle that had neither winners or losers. A compromise came out of it, and the film that I filmed in China is the fruit of this compromise.” The film Michelangelo Antoni...
Features 7 Jul 2013 | 07:05 am
Contents “So Have Things Gone”: A Place Beyond the Pines by Joseph Natoli ‘When Ordinary Seeing Fails’: Reclaiming the Art of Documentary in Michelangelo Antonioni’s 1972 China Film Chung Kuo by Alic...
62nd Melbourne International Film Festival Dossier (2013) 7 Jul 2013 | 07:00 am
To coincide with the 2013 Melbourne International Film Festival (MIFF), Senses of Cinema has commissioned a series of articles that cover two particularly important and vibrant strands of its vast pro...
Cinémathèque Annotations on Film 7 Jul 2013 | 06:42 am
Contents David Melville on The Masque of the Red Death Wheeler Winston Dixon on The Intruder Murray Pomerance on X: The Man with the X-Ray Eyes Margaret Barton-Fumo on The Wild Angels Tyson Wils on ...
Festival reports 7 Jul 2013 | 06:34 am
Contents Sally Shafto on Festival National du Film, Tangiers Lydia Papadimitriou on Thessaloniki Documentary Festival Nicholas Godfrey on Hong Kong International Film Festival Jorge Mourinha on IndieL...
Book reviews 7 Jul 2013 | 05:39 am
Contents Kyle Barrowman on Beyond Bruce Lee Adam O’Brien on Ecocinema Theory and Practice Carolyn Elerding on Ferocious Reality Radha O’Meara on Film Trilogies Enrique Ajuria Ibarra on New Vampire Ci...
Christian Petzold 6 Jul 2013 | 02:49 pm
Christian Petzold b. 14th September 1960, Hilden, North Rhine-Westphalia, Germany When the Association of German Film Critics named Christian Petzold’s Barbara the best feature film of 2012, it affirm...
“So Have Things Gone”: A Place Beyond the Pines 5 Jul 2013 | 02:00 pm
“Life is short, art long, opportunity fleeting, experience treacherous, judgment difficult.” –Hippocrates Manifold are thy shapings, Providence! Many a hopeless matter gods arrange. What we expected n...
‘When Ordinary Seeing Fails’: Reclaiming the Art of Documentary in Michelangelo Antonioni’s 1972 China Film Chung Kuo 5 Jul 2013 | 01:55 pm
Introduction and Context: (Up)Setting the Stage “It was the mid-1970s,” reminisces a Chinese blogger, writing over three decades later in November 2009. “I was in my third year of primary school … in ...
Chantal Akerman’s Là-bas: The Suspended Image and the Politics of Anti-Messianism 5 Jul 2013 | 01:54 pm
It is this double exigency-recognition of the closure of the political and practical deprivation of philosophy as regards itself and its own authority– which leads us to think in terms of re-treating ...
